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Tea enthusiasts’ choice of tea utensils stems from their desire to fulfill their passion for tea.

During the Song Dynasty, people did not admire extravagance or ostentation; instead, they favored simple and unadorned objects. The exquisite craftsmanship and understated elegance of Song Dynasty gold and silver artifacts are vividly showcased in this iron-clad silver teapot.

The Winter Friends丨The Iron-Clad Silver Craft That Has Remained Silent for Nearly a Thousand Years

When it comes to selecting tea utensils, tea enthusiasts are driven by their desires and passions. Generally speaking, tea utensil collectors choose pieces according to their own personalities and preferences—whether it’s elegant design, exquisite craftsmanship, age-old origins, rarity, creations by renowned artisans, or superior materials—all reflecting individual needs and tastes. However, when it comes to the pinnacle of teapot-making craftsmanship, none can rival “iron-clad silver.”

Tang Artifacts | Gilt Silver Bowl

The gilt-silver bowl—this exhibit dates from the Tang Dynasty. The large bowl has a diameter of 18.5 centimeters, a height of 6 centimeters, and weighs 322.52 grams; the small bowl weighs 290.35 grams. It is currently housed in the Tang Art Gold and Silverware Museum in Luoyang.

Sheng Yi Tang Silver Teapot | If a square is not straight, it cannot be made into a square; if a circle is not round, it cannot be made into a circle.

Square or rectangular vessels are relatively rare among teapots. As the saying goes, “A square is worth three circles,” meaning that it’s more challenging to craft a square vessel from silver than a round one. The way the corners are handled in square vessels is a key factor in conveying the teapot’s elegance and character—especially when dealing with obtuse or large rounded corners, which only experienced artisans can master.

The characteristic of the vein-pattern design is inspired by flower petals found in nature.

The defining characteristic of ribbed designs is their inspiration drawn from natural elements such as flower petals, leaves, and the ridges of melons. Commonly seen variations include three-, six-, nine-, twelve-, eighteen-, and thirty-six-petal patterns, which can be divided and arranged in both horizontal and vertical configurations or treated with spiral motifs.

The inspiration for this teapot comes from the “flowing glaze” found on porcelain.

In the world of inspiration, everything—from the vast universe to the tiniest elementary particles—is in constant motion. As matter moves, it often reveals a kind of “dynamic beauty”! During the firing process of glazes, as the glaze’s melting point decreases, the glaze liquid naturally flows down the slopes of the vessel, creating beautiful, natural patterns known as “flow glazes.” In ancient Chinese porcelain, “flow glazes” were frequently encountered; at one time, their appearance was considered defective or substandard. Yet as people’s aesthetic sensibilities evolved, they came to appreciate that these “flow glazes,” with their subtle interplay of stillness and movement, possess a unique charm all their own. The inspiration for this teapot stems precisely from the “flow glazes” found on porcelain—allowing even a static silver teapot to evoke a sense of dynamic elegance.

We welcome friends from all over to visit the Luoyang Tangyi Gold and Silverware Museum.

Located near the White Horse Temple in Luoyang, the Tangyi Museum of Gold and Silver Artifacts boasts an extensive collection of gold and silver objects spanning a wide range of historical periods. The museum’s artifacts showcase diverse stylistic features from different cultural domains, leaving visitors marveling at the profound depth and sophistication of craftsmanship across various historical eras. The Luoyang Tangyi Museum of Gold and Silver Artifacts is one of the first privately-run museums in Luoyang. It was founded by Wang Yaqiang, vice president of the Luoyang City Society for Cultural Relics Collection and a renowned collector, who has spent years assembling his remarkable collection. The museum is Henan Province’s first specialized private museum dedicated to gold and silver artifacts. From the Warring States period to the Ming and Qing dynasties, gold and silver objects flourished with dazzling brilliance. Under the guidance of the museum staff at the Luoyang Tangyi Museum of Gold and Silver Artifacts, the east...

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Luoyang Tangyi Gold and Silverware Museum

Phone:+86-18538867617

Address: West of Baimasi Temple, Baimasi Town, Luolong District, Luoyang City, Henan Province

Opening hours: 9:00 a.m. to 11:30 a.m., and 2:30 p.m. to 5:30 p.m.

Opening Hours: Open all year round

Luoyang Ruizhe Arts & Crafts Co., Ltd.

Phone:+86-18538667617

Address: 50 meters west of the Bai Ma Si Monastery, Bai Ma Si Town, Luolong District, Luoyang City

Opening hours: 9:00 a.m. to 11:30 a.m., and 2:30 p.m. to 5:30 p.m.

Opening Hours: Open all year round

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