Board Member Unit
Luoyang Tangyi Gold and Silverware Museum
Institute of Ancient Goldsmithing and Silversmithing Techniques
Henan Province's Intangible Cultural Heritage
Baima Temple Gold and Silver Craftsmanship
The craftsmanship of gold and silver ware production at the White Horse Temple is a traditional handcraft technique.
Its history dates back to the Ming Dynasty and flourished during the Qing Dynasty. Passed down through generations, its lineage has now reached the 17th generation.
In 2015, this skill was designated as an intangible cultural heritage by the People's Government of Henan Province.
Sheng Yitang carries forward the exquisite goldsmithing and silversmithing techniques inherited from the Ming and Qing dynasties, as well as the craftsmanship of gold and silver ware production from Baima Temple. Drawing on ancient traditions for contemporary use, Sheng Yitang consistently adheres to handcrafting methods, creating pieces that are both practical and elegant—timeless works that stand the test of time. Dedicated to bringing the refined cultural elegance of Chinese tradition into modern life, Sheng Yitang regards cultural dissemination as its brand’s mission.
Brief description by the inheritor
Wang Yaqiang – Master of Arts and Crafts
The 17th-generation inheritor of the intangible cultural heritage craft of gold and silver ware production at Baima Temple in Henan Province. Executive Vice President of the Luoyang Industrial Association and Standing Director of the Luoyang Private Museum Association.
Director of the Luoyang Tangyi Gold and Silverware Museum, a He Luo Craftsman of Luoyang City, and a Master of Arts and Crafts of Henan Province.
Latest Craft Recommendations
Leveraging its unique characteristics, the company has tapped into its full potential, acted in harmony with market trends, and meticulously developed high-end gold and silver utensils—such as tea ceremony, incense ceremony, and flower arrangement tools—that vividly reflect Luoyang’s regional identity, seamlessly integrate cultural elements, and boast exceptional practicality.
Tang Yi Gold and Silverware Museum
In February 2012, the Tangyi Gold and Silverware Museum was approved for establishment, making it one of the first privately-run museums in Luoyang.
In 2018, the Tangyi Gold and Silverware Museum was designated by the Henan Provincial Department of Culture as a demonstration museum for intangible cultural heritage in Henan Province.
The district covers an area of nearly
Treasured Collection
Display and exhibition
First Exhibition Hall
The first exhibition hall features a special display of exquisite gold and silver artifacts. The collection includes representative gold and silver objects spanning from the Warring States period through modern times. These artifacts boast diverse shapes and elegant designs; not only are they made of superior materials, but they also exhibit superb craftsmanship and high artistic value. Particularly noteworthy is this gold plaque ornament—a decorative item from the Warring States period, crafted entirely from pure gold and weighing 97 grams. It has a rectangular shape with an animal-face motif: the animal’s face is broad, its tongue short and peach-shaped, and the top end is shaped like the Chinese character “shan” (mountain). The ornament features a unique design and remarkably clear textures. At the time, it was primarily produced using casting techniques. Gold artifacts from the Warring States period are extremely rare, making this particular gold plaque ornament especially uncommon. It stands as a remarkable example of early Chinese gold and silver craftsmanship.
Second Exhibition Hall
The second exhibition hall features a showcase of exquisite replicas of gold and silver artifacts. The exhibits primarily consist of replicas of Tang Dynasty Buddhist gold and silver objects unearthed from the underground palace of Famen Temple, as well as gold and silver treasures from a Song Dynasty hoard discovered in Pengzhou, Sichuan. Throughout the entire replication process, meticulous attention was paid to every detail—right down to the delicate engraving of each decorative motif and the overall layout of the designs—all meticulously reproduced at a 1:1 scale, exactly matching the original artifacts. The weight of each replica differs from that of the original artifact by less than five grams. Replica of the Complete Tea Set from the Tang Dynasty’s Famen Temple; Replica of the Tang Dynasty Gilt Double-Ear Silver Basin with Mandarin Duck and Floral Motifs (replica).
Third Exhibition Hall
The third exhibition hall, dedicated to the art of gold and silver craftsmanship, offers visitors a comprehensive overview of ancient Chinese techniques for making gold and silver artifacts. These techniques include mold casting, hammering and shaping, chasing, gilding, openwork carving, relief sculpture, and polishing—each of which is both thorough and complete. While preserving the authentic essence of these traditions, they also incorporate innovative elements.
Fourth Exhibition Hall
The fourth exhibition hall features an exquisite display of gold and silver gifts. This hall showcases the tea ceremony and incense ceremony series produced by our Rui Ze Company. These tea and incense ceremony series were developed by Mr. Wang Yaqiang, who drew upon Luoyang’s profound cultural heritage and, building on traditional goldsmithing and silversmithing techniques, boldly innovated by integrating the essence of ancient craftsmanship with the art of tea and incense ceremonies.
Exciting news shared with you!
Stay tuned for our updates—exciting things happen every day!

