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Sheng Yitang carries on the exquisite goldsmithing and silversmithing techniques passed down from the Ming and Qing dynasties, as well as the craftsmanship of gold and silver artifacts from Baima Temple. Drawing on ancient traditions for contemporary use, we remain steadfastly committed to handcrafting pieces that are both practical and elegant—timeless creations that stand the test of time.

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Intangible Cultural Heritage Preservation: Traditional Crafts

The craftsmanship of gold and silver ware production at Baima Temple is a traditional handcraft technique whose origins can be traced back to the Ming Dynasty and flourished during the Qing Dynasty. The craft has been passed down through generations, with its lineage now reaching the 17th generation. In 2015, this craft was designated as an intangible cultural heritage by the People's Government of Henan Province.

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Board Member Unit

Luoyang Tangyi Gold and Silverware Museum

Institute of Ancient Goldsmithing and Silversmithing Techniques

Henan Province's Intangible Cultural Heritage

Baima Temple Gold and Silver Craftsmanship

The craftsmanship of gold and silver ware production at the White Horse Temple is a traditional handcraft technique.

Its history dates back to the Ming Dynasty and flourished during the Qing Dynasty. Passed down through generations, its lineage has now reached the 17th generation.
In 2015, this skill was designated as an intangible cultural heritage by the People's Government of Henan Province.

Sheng Yitang carries forward the exquisite goldsmithing and silversmithing techniques inherited from the Ming and Qing dynasties, as well as the craftsmanship of gold and silver ware production from Baima Temple. Drawing on ancient traditions for contemporary use, Sheng Yitang consistently adheres to handcrafting methods, creating pieces that are both practical and elegant—timeless works that stand the test of time. Dedicated to bringing the refined cultural elegance of Chinese tradition into modern life, Sheng Yitang regards cultural dissemination as its brand’s mission.

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Brief description by the inheritor

Wang Yaqiang – Master of Arts and Crafts

The 17th-generation inheritor of the intangible cultural heritage craft of gold and silver ware production at Baima Temple in Henan Province. Executive Vice President of the Luoyang Industrial Association and Standing Director of the Luoyang Private Museum Association.
Director of the Luoyang Tangyi Gold and Silverware Museum, a He Luo Craftsman of Luoyang City, and a Master of Arts and Crafts of Henan Province.

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Latest Craft Recommendations

Leveraging its unique characteristics, the company has tapped into its full potential, acted in harmony with market trends, and meticulously developed high-end gold and silver utensils—such as tea ceremony, incense ceremony, and flower arrangement tools—that vividly reflect Luoyang’s regional identity, seamlessly integrate cultural elements, and boast exceptional practicality.

Tea utensils

Chrysanthemum pattern (small golden stamens)


Product Model: 18# Weight/Gram: 174 Dimensions: 129*80*66, 200ml Delicately and elegantly carved chrysanthemum design Half-moon-shaped side handle and chrysanthemum-petal-style lid knob Elegant cannon-shaped spout Smooth lines seamlessly blending elegance with minimalism

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Chrysanthemum pattern (small golden stamens)
Chrysanthemum pattern (small golden stamens)

Chrysanthemum pattern (small golden stamens)

Tea utensils

Gourd-shaped tea canister


Product Model: 27# Weight/Gram: 232 Dimensions: 76.5*76.5*102 300

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Gourd-shaped tea canister
Gourd-shaped tea canister

Gourd-shaped tea canister

Tea utensils

Hammered-pattern Kyusu (Yake)


Product Model: 40# Weight/Gram: 307 Dimensions: 199*125*83.5 mm, 400ml The lid fits snugly and seamlessly, creating a perfectly integrated whole; featuring the traditional, classic flower-petal teapot handle—a design that is elegant and exquisitely crafted. The spout has a fine, curved shape with simple, refined lines, ensuring smooth and effortless water flow with a crisp, decisive pour.

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Hammered-pattern Kyusu (Yake)
Hammered-pattern Kyusu (Yake)

Hammered-pattern Kyusu (Yake)

Tea utensils

Eight-petal pattern silver pot (painting screen)


Product Model: 42# Weight/Gram: 609 Dimensions: 169.5*137*203 mm, 1000 ml The teapot’s body features a restrained and subtle luster. It’s meticulously handcrafted into an eight-petal design, offering an exceptionally smooth and delightful tactile experience—warm, gentle, and enduring.

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Eight-petal pattern silver pot (painting screen)
Eight-petal pattern silver pot (painting screen)

Eight-petal pattern silver pot (painting screen)

Tea utensils

Spiral pattern (edge point)


Product Model: 110# Weight/Gram: 543 Dimensions: 155*129*199, 900 The silver teapot combines the shapes of a taro root and an earthenware jar. The body of the teapot features circular patterns resembling taro roots that gradually ascend upward, while the lid and spout are adorned with rugged, earth-like textures. Amid its rustic simplicity, the teapot exudes the luster and rich texture characteristic of silverware. The handle, located at the center, is crafted using a braided technique, providing an effective anti-scalding function.

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Spiral pattern (edge point)
Spiral pattern (edge point)

Spiral pattern (edge point)

Tea utensils

Cloud and Phoenix Pattern (Cloud and Phoenix)


Product Model: 125# Weight/Grams: 601 Dimensions: 169*148*206, 1200 The exquisite craftsmanship of this teapot gives it a full and rounded silhouette, with a restrained yet dignified texture. The teapot lid is inlaid with intricate cloud-and-phoenix motifs crafted from gold, silver, and copper, creating an engaging contrast against the plain surface of the teapot body and enhancing its extraordinary beauty. The handle is elegantly tall and features a golden rattan-woven decoration that echoes the design of the lid, lending the teapot an air of refined elegance and uniqueness.

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Cloud and Phoenix Pattern (Cloud and Phoenix)
Cloud and Phoenix Pattern (Cloud and Phoenix)

Cloud and Phoenix Pattern (Cloud and Phoenix)

Tea utensils

Relief Silver Pot with Three-Ring Jade Knob (Jade Rabbit)


Product Model: 134# Weight/Gram: 432 Dimensions: 140*123*163 mm, 650 ml Equipped with a rope-wrapped handle, the teapot features a beautifully designed pattern of jade rabbits playing around the pot’s circumference, lending it an elegant and sophisticated appearance. The teapot’s body boasts smooth, refined lines, while its animal-head spout is adorned with a trio of vibrant jade pendants, giving it an exceptionally lively and nimble charm.

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Relief Silver Pot with Three-Ring Jade Knob (Jade Rabbit)
Relief Silver Pot with Three-Ring Jade Knob (Jade Rabbit)

Relief Silver Pot with Three-Ring Jade Knob (Jade Rabbit)

Tea utensils

Gilded Chrysanthemum (Shadow of Subtle Fragrance)


Product Model: 136# Weight/Gram: 364 Dimensions: 133*111*152 mm, 500ml This teapot is made of pure silver and features a compact, adorable design. The body of the teapot is delicately engraved with the chrysanthemum motif—the symbol of the Japanese Imperial family—complemented by gold-plating craftsmanship. The overall aesthetic exudes a serene and elegant charm. Using a silver teapot to brew water has the remarkable benefits of purifying water quality and enhancing the flavor profile, which is why it’s highly favored among tea enthusiasts.

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Gilded Chrysanthemum (Shadow of Subtle Fragrance)
Gilded Chrysanthemum (Shadow of Subtle Fragrance)

Gilded Chrysanthemum (Shadow of Subtle Fragrance)

Tang Yi Gold and Silverware Museum

In February 2012, the Tangyi Gold and Silverware Museum was approved for establishment, making it one of the first privately-run museums in Luoyang.

In 2018, the Tangyi Gold and Silverware Museum was designated by the Henan Provincial Department of Culture as a demonstration museum for intangible cultural heritage in Henan Province.

10 mu

The district covers an area of nearly

300 +

Treasured Collection

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Display and exhibition

First Exhibition Hall

The first exhibition hall features a special display of exquisite gold and silver artifacts. The collection includes representative gold and silver objects spanning from the Warring States period through modern times. These artifacts boast diverse shapes and elegant designs; not only are they made of superior materials, but they also exhibit superb craftsmanship and high artistic value. Particularly noteworthy is this gold plaque ornament—a decorative item from the Warring States period, crafted entirely from pure gold and weighing 97 grams. It has a rectangular shape with an animal-face motif: the animal’s face is broad, its tongue short and peach-shaped, and the top end is shaped like the Chinese character “shan” (mountain). The ornament features a unique design and remarkably clear textures. At the time, it was primarily produced using casting techniques. Gold artifacts from the Warring States period are extremely rare, making this particular gold plaque ornament especially uncommon. It stands as a remarkable example of early Chinese gold and silver craftsmanship.

Second Exhibition Hall

The second exhibition hall features a showcase of exquisite replicas of gold and silver artifacts. The exhibits primarily consist of replicas of Tang Dynasty Buddhist gold and silver objects unearthed from the underground palace of Famen Temple, as well as gold and silver treasures from a Song Dynasty hoard discovered in Pengzhou, Sichuan. Throughout the entire replication process, meticulous attention was paid to every detail—right down to the delicate engraving of each decorative motif and the overall layout of the designs—all meticulously reproduced at a 1:1 scale, exactly matching the original artifacts. The weight of each replica differs from that of the original artifact by less than five grams. Replica of the Complete Tea Set from the Tang Dynasty’s Famen Temple; Replica of the Tang Dynasty Gilt Double-Ear Silver Basin with Mandarin Duck and Floral Motifs (replica).

Third Exhibition Hall

The third exhibition hall, dedicated to the art of gold and silver craftsmanship, offers visitors a comprehensive overview of ancient Chinese techniques for making gold and silver artifacts. These techniques include mold casting, hammering and shaping, chasing, gilding, openwork carving, relief sculpture, and polishing—each of which is both thorough and complete. While preserving the authentic essence of these traditions, they also incorporate innovative elements.

Fourth Exhibition Hall

The fourth exhibition hall features an exquisite display of gold and silver gifts. This hall showcases the tea ceremony and incense ceremony series produced by our Rui Ze Company. These tea and incense ceremony series were developed by Mr. Wang Yaqiang, who drew upon Luoyang’s profound cultural heritage and, building on traditional goldsmithing and silversmithing techniques, boldly innovated by integrating the essence of ancient craftsmanship with the art of tea and incense ceremonies.

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